Die Sieger and Die Wibelungen: How Parsifal is the Fifth Opera of Wagner’s Ring
Identifieur interne : 000631 ( Main/Exploration ); précédent : 000630; suivant : 000632Die Sieger and Die Wibelungen: How Parsifal is the Fifth Opera of Wagner’s Ring
Auteurs : Paul Schofield [États-Unis]Source :
- Religion and the Arts [ 1079-9265 ] ; 2013.
Abstract
Abstract Nineteenth-century German opera composer Richard Wagner was very knowledgeable about Buddhism and its teachings, at least for a European of that time, and he incorporated his knowledge of those teachings into his last five music dramas: The Ring of the Nibelung (a four-opera cycle) and his final opera, Parsifal. The Ring is traditionally performed separately from Parsifal, but this article explains how there is a basis to connect these five great works into one cycle, even to the extent where the performance of a five-opera cycle would one day become a reality. The basis for this connection includes Wagner’s own strong belief in reincarnation, as well as Buddhism’s general teaching and explanation of karma and rebirth.
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DOI: 10.1163/15685292-12341272
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